Kitusai began his musical career playing in the Parisian metro and composing noise and percussion suites for John Ricciardi and Pierre Clémenti’s alternative films at the Beaubourg studio in the late 70s.
He moved to the Bearnais Piedmont with his guitars, keyboards and tams, and set up a first analog ‘sheepfold studio’ and then a second digital ‘sheepfold studio’, broadcasting his sound craft which is marked by an aggravated cosmopolitanism via the Internet. And doing so, multiplying his collaborations without borders.
There he can quietly start torturing traditional musical instruments and sounds of nature with the latest digital technologies.
…the wind is blowing…